German Romantic, 1798-1840
sometimes given as Karl Blechen, was a German painter, specializing in fantastic landscapes, sometimes with demons and grotesque figures. Born in Cottbus, he drew the attention of prominent architect Karl Friedrich Schinkel, who cast him as a decorative painter. Blechen however aimed for higher work and began producing landscape paintings. In 1827 he went to Italy Related Paintings of Karl Blechen :. | The Gardens of the Villa d'Este (mk09) | Building the Devil-s Bridge | Building the Devil's Bridge | Gorge at Amalfi | The Gardens of the Villa d-Este | Related Artists:
Jan Porcellis (1583/5 - 29 January 1632) was a Dutch marine artist.
Porcellis was born in Ghent. He was the father of the marine artist Julius Porcellis (they shared a similar repertoire of subjects and an identical signature monogram), and is generally agreed to be the more fluent artist, particularly in his sense of space and his tonal palette (subtler than his son's). He died at Zoeterwoude.
Giovanni MigliaraItalian 1785-1837
He began his career as a scene painter with Gaspare Galiari (1761-1823) in Milan, working at the Teatro Carcano in 1804 and at La Scala from 1805 to 1809. Owing to illness, after 1810 he turned to small-scale works in watercolour or oil using various supports, including silk and ivory. At this date Milanese painting was dominated by Andrea Appiani and Luigi Sabatelli, both leading Neo-classical artists. However, Migliara remained aloof from this dominant movement and instead drew on medieval and historical subjects with Romantic undertones. His precise, jewel-like technique and choice of subject-matter found favour with aristocratic patrons in Milan. His figures are generally stilted and burdened by their costumes, though the crowd in Sacking of Minister Prina's House (1814; Milan, Gal. A. Mod.) is depicted with unusual fluency. In 1822 Migliara was appointed Professor of Perspective at the Accademia di Belle Arti, Milan, and in 1833 he was nominated painter to the court of Charles-Albert, King of Sardinia (reg 1831-49). More typical of his historical scenes is Entrance to the Castle of Plessis de la Tour (Turin, Gal. Civ. A. Mod.), which was exhibited at the Brera in 1833. He also produced many topographically precise pictures of church interiors in which he combined his training as a scene painter with his knowledge of intaglio techniques.
Bernhard Folkestad1879 - 1933) was a Norwegian essayist and painter. He was born in London, where his father assisted at the Norwegian Seamen Mission. Among his painting teachers were Kristian Zahrtmann and Laurits Tuxen. His paintings Mørkeloftet from 1905, and Høns i høstsol and Grønnsaker from 1906 are all located in the National Gallery of Norway. Among his books are Svingdøren from 1926, Sol og morild from 1929, and Gullfisken from 1933.